Ancient Artifacts

Bulgari’s new watch pays homage to both the past and the future.

By Emily Selter

Photos by Doug Young

Emperor Caracalla, who ruled the Roman Empire from 211 until 217 A.D., was notorious for his cruelty. After ordering the assassination of his brother Geta, and murdering more than 10,000 of his sibling’s supporters, Caracalla enacted a damnatio memoriae, a “condemnation of memory.” This edict made it a capital offense to even utter Geta’s name. Sculptures that depicted him were destroyed, coins bearing his image were melted, and his moniker was wiped from papyrus records. Caracalla himself was assassinated six years later, but passing a damnatio memoriae on his name would have been futile. His memory will never be expunged from history—one of civilization’s largest and most important ancient monuments bears his name.

New lighting, courtesy of Bulgari, reveals centuries-old interior detailing at Museo di Rome.

The Baths of Caracalla were completed in 217 A.D., and were among the grandest public structures of their type in ancient Rome. The expansive complex encompassed saunas, salons, studios—even athletic facilities. They fell into disuse after the city was sacked but, miraculously, the pozzolana and marble edifice still stand today. The site contains numerous artistic treasures, from elaborate sculptures to ancient mosaics. Scholars and archaeologists have spent almost two centuries excavating and restoring the baths, but the monument remains shrouded in its own unique mythos, holding on tightly to its many secrets.

Treasures like these are what draw people to Rome from near and far; even after centuries, the city’s remarkable ancient ruins are a continual source of fascination. They are especially beloved by the proud Roman luxury goods brand Bulgari. Founded in the Eternal City in 1884, the company has long sponsored cultural conservation in its hometown. Recent endeavors include the painstaking (and dazzling) restoration of the Spanish Steps, the grand staircase between the Piazza di Spagna and Trinità dei Monti church, and, yes, a section of tiles in the famed Baths of Caracalla.

Restoring the mosaic tiling at the Baths of Caracalla in several phases during 2015.

The polychrome-marble mosaic flooring, located in the structure’s western gymnasium, had been in complete disrepair. (It also hadn’t been seen by the public in more than four decades; in an attempt to prevent further degradation, the tiles were covered with fabric and soil.) In 2015, Bulgari helped fund a complex, multiphase restoration effort. The following year, CEO Jean-Christophe Babin joined local officials in revealing the mosaic, a pattern of undulating geometric triangles crafted from brightly saturated tiles. It earned praise in the arts community, and garnered international news coverage.

Still, Bulgari’s investment in preserving Roman relics extends beyond goodwill or recognition. The brand’s designers frequently take inspiration from these monuments, channeling the city’s vibrant past to create some of the world’s most innovative watches and jewelry. Look closely, and you’ll see the shape of sidewalk joints along the glamorous Via dei Condotti reinterpreted as a bracelet link; the Spanish Steps in the arrangement of a diamond necklace; the Baths of Caracalla mosaic pattern in pendants and earrings of the Divas’ Dream Collection. Modern riffs on that rich Roman pedigree that Bulgari continues to protect.

The Octo Carbon’s matte-black finish feels at once antique and futuristic, and jibes with both bright and neutral tones.

Similarly, the new Octo Finissimo Minute Repeater Carbon represents a clever (and seamless) blending of classic references with contemporary materials and applications, a striking integration of the past and future, old-world Italian craftsmanship gone high-tech.  

As the name suggests, this new timepiece is made out of an epoxy thermosetting resin called Carbon Thin Ply, or CTP. The material is remarkably strong and incredibly lightweight. But it can be difficult and time-consuming to manufacture, and Bulgari hadn’t worked with the composite before developing this new Octo model.

Both the Octo Finissimo Carbon (above) and Tourbillon Automatic (next image) feature weight-saving techniques and geometric motifs inspired by the coffering on the ceiling of the Basilica of Maxentius from 312 A.D.

“The challenge of using this material was to transform its constraints into an opportunity to develop and propose a stunning timepiece,” says Fabrizio Buonamassa, the director of Bulgari’s Watches Design Center.

Traditionally, getting quality sound transmission from a minute repeater case demanded roominess and rigidity. Rose gold has long been the default choice, joined, in recent years, by titanium.  But CTP is lighter than either, and offers unique physical advantages—namely the rare acoustic properties of its polymers. Buonamassa went a step further with the Octo Carbon’s design, with strategic incisions that amplify resonance inside the case, compensating for the absence of substantial internal volume. This allowed Bulgari to employ its in-house BVL 362 movement, the world’s thinnest repeater caliber, while still endowing the Octo Carbon with powerful sound output.

Incredibly, the new watch is just 6.85 mm thick, nearly 10 percent louder than an equivalent titanium piece, and weighs less than a regulation PGA golf ball.

But this isn’t some hollow, artless technical study. True to the brand, Buonamassa paired his super-progressive design to ancient motifs, naming architectural elements among his inspirations. (The octagon was a common interior detailing motif in Roman antiquity.) Owing to variations inherent to CTP, the patterns and textures of each case and dial are unique. Like the Via dei Condotti or Spanish Steps or Baths of Caracalla, or Bulgari itself, every Octo Finissimo Minute Repeater Carbon is one of a kind, a timeless entity, simultaneously a product of Rome and, above all else, totally unforgettable.