The divide between past and future is collapsing.
It’s happening slowly and all at once; more and more, tomorrow looks a lot like yesterday, run through a funhouse mirror. Did you see Star Trek: Discovery, the next-gen period piece that’s set a decade before the original series? Catch high-fashion’s astro-chic looks on the runways last year? Or hear that S.J. Clarkson, a young Netflix director, will helm the franchise’s next film? Welcome to life inside the supercollider of “back then” and “right now” and “in a moment.” It’s pretty weird in here.
It’s also harder than ever to put a finger on the zeitgeist. But that’s exactly what Girard-Perregaux is doing with its current collection. The latest entry into that heady catalog, the new Neo Tourbillon Three Bridges Skeleton, arrives steeped in tradition; its triple-arch layout, the brand’s signature motif, dates back to 1884. One hundred and thirty years later, Girard-Perregaux reinterpreted the idea with the Neo Tourbillon. The bridges, traditionally gold, have been enlarged and hewn from titanium, a nod to modern cable-stayed structures, like Southern France’s Millau Viaduct, the tallest in the world.
The new Skeleton conveys all that history, while also introducing decidedly futuristic design elements. Girard-Perregaux’s flagship automatic movement carries over here, composed of 260 components, with a lightweight, titanium tourbillon cage and 18k white gold micro-rotor, offering a 60-hour power reserve. But the 45 mm case is taller and, crucially, the baseplate is gone. Exposed screws now sit deep into the structure of the openwork movement, holding the polished and bevelled bridges in place.
Somehow, the resulting piece, a mash-up of heritage and progress, feels cohesive. The Neo Tourbillon Three Bridges Skeleton isn’t a limited-run proposition. But its $138,000 price point ensures exclusivity, and, in a way, it’s the rarest piece of all: one that’s both timely and timeless. Like the rest of Girard-Perregaux’s contemporary portfolio, it would look right on the wrist of William Shatner’s Kirk, or Patrick Stewart’s Piccard, or Jason Issacs’s Lorca, in any galaxy and on any planet, a watch sure to remain fashionable and collectible well into the future—even if that future is just a colorful sendup of the past…
Neo Tourbillon Three Bridges Skeleton
It starts with the case, steeply-cambered, anti-reflective-treated sapphire front glass and sapphire crystal caseback. Inside, the unidirectional, self-winding mechanical movement features a brilliant 18k white gold micro-rotor. Still, the bridges remain a highlight. They’re made of titanium, sandblasted, blackened via PVD process. Their shape is so complex, composed of interior angles, arches, extensions and overhangs, that their machining is a watchmaking feat in itself. The result is a taut and powerful shape. Gravity, mass, transparency—what do you need with a spaceship? This radical new skeleton has it all.
Constant Escapement L.M.
The L.M.’s avant-garde, titanium case contains an innovative solution to the age-old horological concern: how to maintain the precision and regularity of a mechanical watch. Introduced as a prototype in 2008, this award-winning movement uses an integrated, microscopic silicon blade; it serves as an intermediary device in the escapement, metering energy to ensure constant power delivery to the oscillator, and, in turn, constant amplitude and constant rate. Sound like science fiction? Consider this: Even with Girard-Perregaux’s master watchmakers gave ‘er all they had, the super-complicated L.M. still required eight years of research and development.
Laureato 42 mm
The Laureato is sports watch icon. Designed by a Milanese architecture studio, it was released in 1975, flourishing in an era that celebrated leisure for leisure’s sake. In 2016, Girard-Perregaux brought out a limited-edition re-release; it was so well-received, the brand upped the ante, bringing out a whole new range. This Laureato 42 mm beams the octagonal case styling of its iconic 1975 predecessor straight into the present, but brings two thoroughly modern touches: a handsome rubber strap in place of the old integrated bracelet, and the acclaimed mechanical GP01800 caliber (designed, produced, assembled, and adjusted in-house) in place of the original’s quartz movement.
Laureato Skeleton Ceramic
That new Laureato collection? It now includes dozens of references, housed in a variety of case sizes and materials. Among them, a skeletonized ceramic, which uses a thin, suspended, indexed ring as a dial, in turn offering a glimpse deep into the heart of the movement, dubbed GP01800-006, those last three digits denoting a skeleton variant. It’s a self-winding labyrinth, comprised of 173 total components, sand-brushed and treated using a galvanic process (“anthracite gray ruthenium,” according to the Girard-Perregaux’s master watchmakers), decorated by hand in a “unique and contemporary manner.” Which is all to say: the Laureato Skeleton Ceramic is a collector siren. Resistance is futile.
